Rape as a weapon of war

Photographic Slideshow: Rape in the DRC

Rape in war is as old as war itself. After the sack of Rome 16 centuries ago Saint Augustine called rape in wartime an “ancient and customary evil”. For soldiers, it has long been considered one of the spoils of war. Antony Beevor, a historian who has written about rape during the Soviet conquest of Germany in 1945, says that rape has occurred in war since ancient times, often perpetrated by indisciplined soldiers. But he argues that there are also examples in history of rape being used strategically, to humiliate and to terrorise, such as the Moroccan regulares in Spain’s civil war.


For combatants who know little about each other, complicity in rape can serve as a bond. The Revolutionary United Front (RUF) in Sierra Leone, most of whose members say they were kidnapped into its ranks and then raped thousands during the civil war, is a case in point. Ms Cohen argues that armed groups that are not socially cohesive, particularly those whose fighters have been forcibly recruited, are more likely to commit rape, especially gang rape, so as to build internal ties.

For the victims and their families, rape does the opposite. The shame and degradation of rape rip apart social bonds. In societies where a family’s honour rests on the sexual purity of its women, the blame for the loss of that honour often falls not upon the rapist, but the raped. In Bangladesh, where most of the victims were Muslim, the use of rape was not only humiliating for them as individuals but for their families and communities. The then prime minister, Mujibur Rahman, tried to counter this by calling them heroines who needed protection and reintegration. Some men agreed but most did not; they demanded sweeteners in the form of extra dowry payments from the authorities.

In 2008 the UN Security Council officially acknowledged that rape has been used as a tool of war.The laws and customs of war are clear. But in many parts of the world, in the Hobbesian anarchy of irregular war, with ill-disciplined private armies or militias, these norms carry little weight.

But rape in war is not inevitable. In El Salvador’s civil war, it was rare. When it did occur it was almost always carried out by state forces. The left-wing militias fighting against the government for years relied on civilians for information. You can rape to terrorise people or force them to leave an area, says Elisabeth Wood, a professor at Yale University and the Santa Fe Institute, but rape is not effective when you want long-term, reliable intelligence from them or to rule them in the future.


Some groups commit all kinds of other atrocities, but abhor rape. The absence of sexual violence in the Tamil Tigers’ forced displacement of tens of thousands of Muslims from the Jaffna peninsula in 1990 is a case in point. Rape is often part of ethnic cleansing but it was strikingly absent here. Tamil mores prohibit sex between people who are not married and sex across castes (though they are less bothered about marital rape). What is more, Ms Wood explains, the organisation’s strict internal discipline meant commanders could enforce these judgments.


(Economist: Violence Against Women)

The Memory of Love

By Aminatta Forna

Sierra Leone’s civil war lasted until 2002, claiming as many as 50,000 lives and displacing as many as 2.5 million people. Forna, who grew up in Sierra Leone and now lives in London, introduces her characters in 2001, then slowly reveals them through the events of the preceding three decades. 

Sudanese Lost Boy Returns Home

The Largest Refugee Complex in the World: Dadaad

Dadaab Refugee Camps in Northeastern Kenya pose a critical question for the international community: How does it treat a humanitarian emergency that does not go away?

There are nearly 300,000 refugees in Dadaab, Kenya (composed of 3 refugee camps: Ifo, Hagadera and Dagahaley with a 4th camp currently under construction), making it the largest refugee complex in the world, with 6,000 third-generation refugees according to the United Nations.

Humanitarian officials say building schools and hospitals is the best way to protect refugees, but donors are hesitant to finance projects that will encourage more refugees to come and stay.  The impasse has left Dadaab understaffed and overcrowded. Half of its youth — who make up more than half of all refugees — are out of school and easy targets for militia recruiters.

Refugees queuing for registration with UNHCR

The use of child soldiers has become a major aspect of Somalia’s seemingly inextricable conflict, and the country’s transitional government, which is supported by the United States, has a history of using children in combat.  In 2009, the Kenyan government was accused of supporting recruitment drives among refugees from the camps to fight in Somalia’s army.  Al Shabab, the most prolific rebel group in Somalia, also recruits in the camp and United Nations employees have been approached to serve as go-betweens by Shabab agents.  Somalia’s notorious piracy networks have also been known to visit the camps.  


(New York Times)

Religious values and cultural traditions collide: Life after resettlement and the rise of Somali gang culture in the Twin Cities

In a surprising development, Federal and local Minnesota law enforcement officials are announcing they've arrested 23 people in two states in an alleged Somali prostitution ring.  Twenty-three people were arrested in Minnesota and Tennessee.  The investigation was led by St. Paul Police and members of the Task Force on Human Trafficking, which includes federal, state and local law enforcement.  The case first came to light in September of 2010, after investigators asked a Ramsey County judge for permission to search the cell phone records of a 15-year-old girl. Authorities believe the girl was lured into a large prostitution ring controlled by Somali gangs.


(Minnesota Public Radio)

V.S. Naipaul

Sir V(idiadhar) S(urajprasad) Naipaul is a Trinidadian writer born in Chaguanas, Trinidad on 17 August 1932.  Winning the Nobel Prize for Literature in 2001, he is known for his novels set in developing countries.  The Swedish Academy praised his work "for having united perceptive narrative and incorruptible scrutiny in works that compel us to see the presence of suppressed histories" noting that "Naipaul is Conrad's heir as the annalist of the destinies of empires in the moral sense: what they do to human beings. His authority as a narrator is grounded in the memory of what others have forgotten, the history of the vanquished."  However, His fiction and especially his travel writing have been criticised for their allegedly unsympathetic portrayal of the Third World. Additionally, he has been criticised for dwelling on some negative aspects of Islam in his works, such as nihilism among fundamentalists.

His personal life was marred by drama and tragedy.  Naipaul's marriage of 41 years to Patricia Hale was marked by frequent infidelities, and he is cited as admitting that his devotion to his writing and infidelities may have hastened her death due to cancer in 1996.  During the marriage, he had a long-term love affair with his mistress Margaret Gooding.  Biographer Patrick French wrote that Naipaul subjected both wife and mistress to regular sessions of sexual and physical abuse.  However, 2 months after Hale's death Naipaul married former Pakistani journalist Nadira Khannum Alvi and abruptly ended his affair with Gooding.  


His first three books are comic portraits of Trinidadian society. The Mystic Masseur (1957) and  Miguel Street (1959), a collection of short stories, are among his first books. His acclaimed novel A House for Mr Biswas (1961), is based on his father's life in Trinidad.  Subsequent novels developed more political themes and he began to write about colonial and post-colonial societies in the process of decolonisation. These novels include The Mimic Men (1967), In a Free State (1971), Guerrillas (1975) and A Bend in the River (1979). The Enigma of Arrival (1987) is a personal account of his life in England. A Way in the World (1994), is a formally experimental narrative that combines fiction and non-fiction in a historical portrait of the Caribbean. Half a Life, was published in 2001 and follows the adventures of Indian Willie Chandran in post-war Britain while Magic Seeds (2004) continues his story.

The Masque of Africa: Glimpses of African Belief (2010) is Naipaul's 30th book and 16th volume of nonfiction.  New York Time's book critic Eliza Griswold describes his newest work: "Naipaul is willing to express a new attitude, one of self-doubt. This acknowledgment of human frailty — starting with his own — broadens his observational powers immeasurably. As he sets out to explore what he calls “the beginning of things,” he proves willing to turn his brutally accurate lens back on himself...Naipaul has always revealed a curious admixture of extrovert and introvert on the page. The extrovert enjoys his public political scraps, his voyages and his love affairs — even as he seems to be loathing all three. The introvert demands time for the isolation that reflection requires".  


(Wikipedia), (New York Times), and (Contemporary Writers)

Mulatu Astatke, the father of Ethiopian jazz

ONSTAGE 68-year-old Mulatu Astatke is as subtle and understated as the Ethiopian jazz he created. The music, a hybrid of traditional Ethiopian music and jazz, is subdued, somewhat melancholy, and at times psychedelic. Mr Astatke, the originator and composer of songs in this canon, plays his principal instrument, the vibraphone, with a light touch. Between songs, there is no small talk. He thanks the crowd, and coolly introduces the next number.

Mr Astatke has completed a Radcliffe Institute Fellowship at Harvard and been an artist-in-residence at MIT in recent years. But the seeds of his “Ethio-jazz” were planted in the 1950s and 1960s when he studied classical and jazz composition in Britain and America and honed his techniques while at Berklee College of Music, where he was the first African student. On visits to New York he hung out with jazz musicians such as John Coltrane and performed with the Duke Ellington orchestra in Ethiopia in the 1970s.

Mr Astatke’s name resurfaced in 2005, when his compositions appeared in the soundtrack of Jim Jarmusch’s film Broken Flowers. A busy time of performing, recording, teaching, and composing has since followed.

(Baobab)