ONSTAGE 68-year-old Mulatu Astatke is as subtle and understated as the Ethiopian jazz he created. The music, a hybrid of traditional Ethiopian music and jazz, is subdued, somewhat melancholy, and at times psychedelic. Mr Astatke, the originator and composer of songs in this canon, plays his principal instrument, the vibraphone, with a light touch. Between songs, there is no small talk. He thanks the crowd, and coolly introduces the next number.
Mr Astatke has completed a Radcliffe Institute Fellowship at Harvard and been an artist-in-residence at MIT in recent years. But the seeds of his “Ethio-jazz” were planted in the 1950s and 1960s when he studied classical and jazz composition in Britain and America and honed his techniques while at Berklee College of Music, where he was the first African student. On visits to New York he hung out with jazz musicians such as John Coltrane and performed with the Duke Ellington orchestra in Ethiopia in the 1970s.
Mr Astatke’s name resurfaced in 2005, when his compositions appeared in the soundtrack of Jim Jarmusch’s film Broken Flowers. A busy time of performing, recording, teaching, and composing has since followed.
No comments:
Post a Comment