Mulatu Astatke, the father of Ethiopian jazz

ONSTAGE 68-year-old Mulatu Astatke is as subtle and understated as the Ethiopian jazz he created. The music, a hybrid of traditional Ethiopian music and jazz, is subdued, somewhat melancholy, and at times psychedelic. Mr Astatke, the originator and composer of songs in this canon, plays his principal instrument, the vibraphone, with a light touch. Between songs, there is no small talk. He thanks the crowd, and coolly introduces the next number.

Mr Astatke has completed a Radcliffe Institute Fellowship at Harvard and been an artist-in-residence at MIT in recent years. But the seeds of his “Ethio-jazz” were planted in the 1950s and 1960s when he studied classical and jazz composition in Britain and America and honed his techniques while at Berklee College of Music, where he was the first African student. On visits to New York he hung out with jazz musicians such as John Coltrane and performed with the Duke Ellington orchestra in Ethiopia in the 1970s.

Mr Astatke’s name resurfaced in 2005, when his compositions appeared in the soundtrack of Jim Jarmusch’s film Broken Flowers. A busy time of performing, recording, teaching, and composing has since followed.

(Baobab)

Kola Nuts

                                                

Kola nuts are important in many African societies, particularly in Western Africa. Besides the fact that Kola nuts contain caffeine and act as a stimulant and anti-depressant, they are also thought to reduce fatigue and hunger, aid digestion, and work as an aphrodisiac.

In some parts of Africa, kola nuts are given as gifts to visitors entering a home, usually with some formal ceremony. Offering the kola nut is a gesture of friendship and hospitality.  Elsewhere, before a marriage, a bag of kola nuts are often given by a groom to the parents of the bride. Kola nuts are a used in rituals performed by religious healers.

Besides the ceremonial uses, many Africans consume kola nuts regularly, even daily, for the medicial effects described above. Kola nuts are a common sight in African markets in cities and villages. They are often sold by street vendors at bus and train depots. On a train or bus, a traveler with a kola nut will often offer a piece to the others nearby, whether he knows them or not.


Kola nuts are consumed by breaking them open and into pieces, then chewing the kola nut pieces as one chews gum. Most people find the taste very bitter, especially at first. Sometimes a knife is needed to cut the nut into pieces.

Kola nuts are best known outside of Africa as an ingredient in cola beverages. The stimulative effect is similar to a strong cup of coffee.  There is some evidence that the first kola (or cola) beverage was made by Western Africans who mixed water with dried or fermented kola nuts. Commercially produced cola drinks were developed in the late 1800s, when chemists and inventors the world over used kola nuts (as well as other exotic ingredients) in various drinks and tonics. The most famous of these is Coca-Cola, which has become a truly global beverage.

(Congo Cookbook)

SHIS-toe-SO-my-uh-sis

After suffering from chronic stomach issues for over a year, I was finally diagnosed with Schistosomiasis (a.k.a Bilharzia) earlier this month.  Here are some interesting facts and information....

Schistosomiaisis is a disease caused by parasitic worms. You become infected when your skin comes in contact with contaminated freshwater in which certain types of snails that carry schistosomes are living.

More than 200 million people are infected worldwide.   

An estimated 85% of the world’s cases of schistosomiasis are in Africa, where prevalence rates can exceed 50% in local populations.

 

Schistosomiasis is the second most socioeconomically devastating parasitic disease after malaria.

There are many varieties of schistosomes, but only four which are particularly important in man:

1. S. haematobium occurs throughout Africa and in Arabia, South West Asia, and around the Mediterranean. The urinary tract and the portal system are mainly affected, but the lungs and colon do not escape, and the central nervous system may occasionally be involved.

2. S. mansoni is also prevalent throughout Africa, particularly in the north, in Arabia, and in the north of South America. It mainly affects the colon, the portal system and the lungs, very rarely the central nervous system.

3. S. japonicum is found mostly in Asia; in China and Japan, the Philippines, and other Pacific islands. It primarily affects the colon and small intestine, the portal system and the lungs, rarely the central nervous system.

4. S. intercalatum is much less common and occurs only in equatorial Africa, particularly Zaire, and affects the digestive tract and the portal system.There is one other, S. mekongi, clinically similar to S. japonicum, but found only in the Mekong river basin. 

 

The clinical manifestations of chronic schistosomiasis are the result of host immune responses to schistosome eggs. Eggs secreted by adult worm pairs enter the circulation and lodge in organs and cause granulomatous reactions. Eosinophilia may be present. 

S. mansoni and S. japonicum eggs most commonly lodge in the blood vessels of the liver or intestine and can cause diarrhea, constipation, and blood in the stool. Chronic inflammation can lead to bowel wall ulceration, hyperplasia, and polyposis and, with heavy infections, to periportal liver fibrosis 

S. haematobium eggs typically lodge in the urinary tract and can cause dysuria and hematuria. Calcifications in the bladder may appear late in the disease. S. haematobium infection has been associated with increased risk of bladder cancer.

(Medcyclopaedia) & (CDC)

Riba Stirling Prize win for Rome's Maxxi Museum

 

The Riba Stirling Award is given for the building deemed to have made the greatest contribution to British architecture.The 2010 award was given to Zaha Hadid Architects for their design of the Maxxi Museum in Rome.
(BBC)

Zaha Hadid, British-Iraqi Architect (b.1950)

Zaha Hadid has defined a radically new approach to architecture by creating buildings, such as the Rosenthal Center for Contemporary Art in Cincinnati, with multiple perspective points and fragmented geometry to evoke the chaos of modern life.

 

Zaha Hadid was single-minded from an early age. Born in 1950 in Baghdad, she grew up in a very different Iraq from the one we know today. The Iraq of her childhood was a liberal, secular, western-focused country with a fast-growing economy that flourished until the Ba’ath party took power in 1963, and where her bourgeois intellectual family played a leading role. Female role models were plentiful in liberal Iraq, but in architecture, female role models anywhere, let alone in the Middle East, were thin on the ground in the 1950s and 1960s. No matter. After convent school in Baghdad and Switzerland, and a degree in mathematics at the American University in Beirut, Hadid enrolled at the Architectural Association in London in 1972.

You could call her work baroque modernism. Baroque classicists like Borromini shattered Renaissance ideas of a single viewpoint perspective in favour of dizzying spaces designed to lift the eyes and the heart to God. Likewise, Hadid shatters both the classically formal, rule bound modernism of Mies van der Rohe and Le Corbusier and the old rules of space — walls, ceilings, front and back, right angles. She then reassembles them as what she calls “a new fluid, kind of spatiality” of multiple perspective points and fragmented geometry, designed to embody the chaotic fluidity of modern life.

Hadid’s architecture denies its own solidity. Short of creating actual forms that morph and change shape – still the stuff of science fiction – Hadid creates the solid apparatus to make us perceive space as if it morphs and changes as we pass through. Perhaps wisely, she talks little about theory. Unlike, say, Daniel Libeskind, she does not say that a shape symbolises this or that. And she wears her cultural identity lightly. Noticeably, and uncharacteristically diplomatically, she has declined to comment on the situation in Iraq. Instead Hadid lets her spaces speak for themselves. This does not mean that they are merely exercises in architectural form. Her obsession with shadow and ambiguity is deeply rooted in Islamic architectural tradition, while its fluid, open nature is a politically charged riposte to increasingly fortified and undemocratic modern urban landscapes.

(The British Council)

The Danger of A Single Story

Chimamanda Ngozi Adichie was born in Nigeria in 1977. She is from Abba but grew up in the university town of Nsukka. She moved to the United States to attend college, graduating summa cum laude from Eastern Connecticut State with a major in Communication and a minor in Political Science. She holds a Masters degree in Creative Writing from Johns Hopkins and a Masters degree in African Studies from Yale.

Published Works
Purple Hibiscus
Half of a Yellow Sun
The Thing Around Your Neck

Ted Talks: The Danger of a Single Story 
Our lives, our cultures, are composed of many overlapping stories. Novelist Chimamanda Adichie tells the story of how she found her authentic cultural voice -- and warns that if we hear only a single story about another person or country, we risk a critical misunderstanding.

Cambodia's Tribunal for Khmer Rouge War Crimes

A beautiful op-ed piece written by my friend, Kuong Ly :

"An editorial in the International Herald Tribune (“Forgotten victims?” July 29) stated that while the sentence handed down by the tribunal may be disappointing, at least Duch was held to account for his war crimes. Unfortunately, “at least” isn’t good enough for me and for those who suffered from the murderous actions of the Khmer Rouge, especially after waiting 30 years for this verdict.

My mother and my late father both endured what are known as the “Killing Fields” of Cambodia. They lost their siblings, parents and home when Phnom Penh fell to the Khmer Rouge in April, 1975..."

http://www.nytimes.com/2010/08/03/opinion/03iht-edkuong.html?_r=3&ref=global

And they said it couldn't be done...

VICTORY!

"Facing pressure from universities and student groups, the apparel maker Nike announced on Monday that it would pay $1.54 million to help 1,800 workers in Honduras who lost their jobs when two subcontractors closed their factories.
Nike agreed to the payment after several universities and a nationwide group, United Students Against Sweatshops, pressed it to pay some $2 million in severance that the two subcontractors had failed to pay.
The University of Wisconsin, Madison terminated its licensing agreement with Nike over the Honduran dispute, and Cornell warned that it would do the same unless Nike resolved the matter. "
http://www.nytimes.com/2010/07/27/business/global/27nike.html?ref=us